agencydoubble agencydoubble
Lisbon · Portugal Audiovisual Production Studio Est. 2024

Films with cinema aesthetics, thought through before they are shot.

Selected Clients
Approach — 01 / 05

Producing video is easy. Knowing what to film is what is missing.

Most brands are not short of content — they are short of direction. Here is where the usual alternatives stop halfway.

01Traditional Agency
They sell hours.They dilute the decision.

Heavy teams, slow processes, three rounds of approval before a single frame is shot. The original idea reaches the end unrecognisable, and nobody can say who decided it.

Doubble delivers Direct contact with the people who direct and shoot. The idea you approve is the one that reaches the screen.
02In-House Team
They know the brand.They lack distance.

They are too far inside the brand to see it from the outside. Without cinema equipment and an outside eye, they end up repeating the same format until it stops saying anything.

Doubble brings An outside eye and consistency of direction — piece after piece.
03Freelance Videographer
They execute the brief.They never question the brief.

They take a brief and return exactly what was asked for. The problem is that the brief is rarely the hard part — deciding what is worth filming is.

Doubble steps in Before the camera. In the idea, the script and the direction — not only the execution.
Portfolio — 02 / 05

The work speaks for itself.

A selection of projects where the direction shows in the final result.

View All Case Studies →
Process — 03 / 05

From idea to film. Three acts, one direction.

A process designed to think before shooting, without losing speed. Each act has an owner, a defined deliverable and a rhythm agreed at kick-off.

01
Strategic Alignment
Direction & Script

We work out what the brand needs to say, to whom, and why now. References, tone, script and visual direction are decided here. We leave this act with a defined direction — before a single image exists.

02
Agile Execution
Production

Shooting on location, with cinema equipment and crew. Delivery formats are decided in the storyboard and shot for that from the start — not improvised in the edit.

03
Considered Edit
Post-Production

Editing, sound and colour grading — the layer where a well-shot video becomes a film. Pacing built for wherever the piece will live, phased delivery and revisions in short cycles.

Team — 04 / 05

Two minds. One direction from start to finish.

Doubble is not a large agency disguised as a small one. It is the opposite — a lean structure that decides quickly, with access to production crew and equipment whenever a project calls for it.

Bruna
Bruna
Strategy & Trends

Reads platforms the way others read a market. Spots what is shifting before it becomes a trend. Turns digital culture into creative decisions.

Bernardo
Bernardo
Creative Direction & Cinema

Treats every shoot like making a short film. Believes aesthetics are not vanity — they are what separates what gets ignored from what gets shared.

FAQ — 05 / 05

What everyone asks us before moving forward.

If your question is not here, write to us. Reply within 24 hours.

How much does a project with Doubble cost?
It depends on the scope and the stage of the business. In a 20-minute conversation we tell you plainly what makes sense — and what does not.
How long does it take from brief to delivery?
The production cycle is built in sprints — alignment, shooting and delivery run in parallel wherever possible. For one-off projects we talk in days; for monthly retainers, in weekly cadences. We set real deadlines at kick-off, not vague estimates.
Do you work with brands outside Portugal?
Yes. Our logistics are built to adapt — we have shot in several European cities and manage projects remotely in other territories.
What separates "cinema" from a well-made video?
Everything the viewer cannot name but can feel. Light, pacing, colour grading, camera decisions, sound.
How do we know if the content is working?
It depends on the objective, and we are direct about it. For social content we track the platform metrics themselves — retention, reach, saves, shares. For a brand film the criterion is different: how the brand comes to be seen, and where the piece manages to live. We do not promise to attribute sales to a video — anyone who does is making it up.
Do you offer monthly packages or only one-off projects?
Both. Brands that want to own a platform work with us on a monthly retainer. One-off projects (launches, campaigns) are contracted per piece.
Which formats do you deliver in?
In the formats where the piece will live, defined in the storyboard and shot for that from the start. It is part of the production — not a separate service, nor a crop rushed at the end.

The next film could be your brand's.

Tell us what you want to say. We take it from idea to delivery.

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